THE CHER SHOW IS AN EXPLOSION OF FABULOUS EXCESS!”

SUPERSTARS COME AND GO.
CHER IS FOREVER.

For six straight decades, only one unstoppable force has flat-out dominated popular culture — breaking down barriers, pushing boundaries, and letting nothing and no one stand in her way. The Cher Show is her story, and it’s packed with so much Cher that it takes three women to play her: the kid starting out, the glam pop star and the icon.

The Cher Show is 35 smash hits, six decades of stardom, two rock-star husbands, a Grammy®, an Oscar®, an Emmy®, and enough Bob Mackie gowns to cause a sequins shortage in New York City, all in one unabashedly fabulous new musical.

Broadway Tickets

THREE WAYS TO GET TICKETS:

Neil Simon Theatre

250 West 52nd Street
New York, NY 10019

 
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Neil Simon Theatre

250 West 52nd Street, New York, NY 10019

HEAR THE
EVOLUTION OF AN ICON

STARTING OUT WITH SONNY

Everything changed when young Cherilyn Sarkisian met Salvatore Bono at a small coffee shop in L.A. in 1962. Hear the songs that started it all, and made Sonny and Cher a household name.

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STYLE LOOKBOOK

Look back on some of Cher's most iconic and thrilling fashion moments.

Bell-bottoms and Counterculture

Bell-bottoms and Counterculture

When Cher first came on the scene as part of a duo with Sonny Bono in the 1960s, their looks were iconic of the free-love, freewheeling era. Her long, straight locks changed the game for those still wearing beehives.

Bell-bottoms and Counterculture
Matching Furs (1968)

Matching Furs (1968)

Bang, bang! As a duo, Cher and Sonny often matched in unisex takes on hippie fashion. Items like fur vests gave their looks textures and proportions and shapes that were unconventional for the era.

Matching Furs (1968)
Pop Goddess (1972)

Pop Goddess (1972)

It would be the start of a lifelong trend of strategically placed sequins and fabulous headdresses. This Bob Mackie creation lit up The Sonny & Cher Comedy Hour.

Pop Goddess (1972)
Belly Barer (1973)

Belly Barer (1973)

Cher often revealed her belly button on the Sonny and Cher TV show, which got her in trouble with the network but eventually helped change the rules. Red carpet looks like this, once daring, are now the norm.

Belly Barer (1973)
The Naked Dress (1974)

The Naked Dress (1974)

This daring look created for Cher by Bob Mackie was simply groundbreaking, and has since become a rite of passage for female performers. According to Mackie, it was never about being naked; it was about being bold.

The Naked Dress (1974)
Luau at the Oscars (1974)

Luau at the Oscars (1974)

Ever one to eschew black-tie formality, Cher showed up to the 1974 Academy Awards® in a gorgeous floral-print two-piece more evocative of a sarong than a dress, but still high fashion with a couture headpiece and choker.

Luau at the Oscars (1974)
Behold the Unitard (1978)

Behold the Unitard (1978)

The pop-star wardrobe staple all began with a bold move from a very body-forward disco diva.

Behold the Unitard (1978)
Nearly Naked Butterfly (1979)

Nearly Naked Butterfly (1979)

For her album “Prisoner,” Cher went nearly naked once again, in a shimmering Mackie headpiece cascading seamlessly into a matching beaded dress.

Nearly Naked Butterfly (1979)
Risky Red Carpet (1986)

Risky Red Carpet (1986)

Cher challenged the Academy Awards® dress code as a presenter in this memorable costume — turning heads and daring to be taken seriously as an actress.

Risky Red Carpet (1986)
Moonstruck (1988)

Moonstruck (1988)

Her provocatively simple shock dress was the perfect look for clinching the Oscar®. The diva had arrived.

Moonstruck (1988)
Channeling Cleopatra (1988)

Channeling Cleopatra (1988)

At a Halloween party in Century City, Cher channeled Cleopatra with a wig-headpiece hybrid that screamed statuesque.

Channeling Cleopatra (1988)
Haute Headpiece (1998)

Haute Headpiece (1998)

Never comfortable with the commonplace, her gorgeous, woven gown got a bold matching topper at the Academy Awards — a nod to her famous headwear of years past.

Haute Headpiece (1998)
Bigger Is Better (2000)

Bigger Is Better (2000)

Who can top a Cher headpiece better than Cher, with this mohawk meets Mad Max tribal warrior crown?

Bigger Is Better (2000)
Return to Form (2010)

Return to Form (2010)

Cher stole a page out of her own stylebook and subsequently stole the show at the VMAs paying tribute to the big hair, body-baring unisuit, high boots and leather jacket immortalized in her 1988 “If I Could Turn Back Time” music video.

Return to Form (2010)
Tribal Vibes (2014)

Tribal Vibes (2014)

Cher channeled her tribal heritage and diva status in her “Dressed to Kill Tour.”

CAST & CREATIVE

CAST

CREATIVE

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BIO

Image of cast member Stephanie J. Block

Stephanie J. Block

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BIO

Image of cast member Teal Wicks

Teal Wicks

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BIO

Image of cast member Micaela Diamond

Micaela Diamond

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BIO

Image of cast member Jarrod Spector

Jarrod Spector

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Image of cast member Michael Berresse

Michael Berresse

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BIO

Image of cast member Michael Campayno

Michael Campayno

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Image of cast member Matthew Hydzik

Matthew Hydzik

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BIO

Image of cast member Emily Skinner

Emily Skinner

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BIO

Image of cast member Dee Roscioli

Dee Roscioli

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BIO

Image of cast member Marija Juliette Abney

Marija Juliette Abney

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BIO

Image of cast member Carleigh Bettiol

Carleigh Bettiol

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BIO

Image of cast member Taurean Everett

Taurean Everett

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BIO

Image of cast member Michael Fatica

Michael Fatica

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BIO

Image of cast member Ashley Blair Fitzgerald

Ashley Blair Fitzgerald

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BIO

Image of cast member Michael Graceffa

Michael Graceffa

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BIO

Image of cast member Blaine Alden Krauss

Blaine Alden Krauss

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BIO

Image of cast member Sam Lips

Sam Lips

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BIO

Image of cast member Tiana Okoye

Tiana Okoye

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BIO

Image of cast member Amy Quanbeck

Amy Quanbeck

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BIO

Image of cast member Angel Reda

Angel Reda

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BIO

Image of cast member Jennifer Rias

Jennifer Rias

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BIO

Image of cast member Michael Tacconi

Michael Tacconi

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BIO

Image of cast member Tory Trowbridge

Tory Trowbridge

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BIO

Image of cast member Christopher Vo

Christopher Vo

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BIO

Image of cast member ALÉNA WATTERS

ALÉNA WATTERS

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BIO

Image of cast member Charlie Williams

Charlie Williams

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BIO

Image of cast member Ryan Worsing

Ryan Worsing

Book

Rick Elice

Director

Jason Moore

Choreographer

Christopher Gattelli

Music Supervision, Orchestrations & Arrangements

Daryl Waters

Dance Music Arrangements

Zane Mark

Scenic Design

Christine Jones

Scenic Design

Brett J. Banakis

Costume Design

Bob Mackie

Lighting Design

Kevin Adams

Sound Design

Nevin Steinberg

Video and Projection Design

Darrel Maloney

Hair and Wig Design

Charles G. LaPointe

Makeup Design

Cookie Jordan

Music Coordinator

Dean Sharenow

Electronic Music Design

Andrew Barrett

Music Director

Andrew Resnick

Associate Director

Travis Greisler

Associate Choreographer

Mark Myars

Voice Coach

Kate Wilson

Production Stage Manager

Michael J. Passaro

Stage Manager

Michelle Bosch

Assistant Stage Manager

Tiffany N. Robinson

Technical Supervisor

Hudson Theatrical Associates

Casting

Telsey + Company Patrick Goodwin, CSA

General Management

Baseline Theatrical

Executive Producer

Roger Davies

Executive Producer

Larry Poindexter

Executive Producer

Lindsay Scott

Producer

Cher

Producer

Flody Suarez

Producer

Jeffrey Seller

FAQ

Is this a Cher show?

Girl, this is The Cher Show. This is everything. Her life. Her loves. Her songs. Her story. All in one place, told through 35 of her smash hits, performed by a full-scale Broadway orchestra and cast, in two acts. Buckle up.

Is Cher involved in the show?

You know it! This isn’t an unauthorized biography based on the tabloids. This is a look behind the headlines to see what Cher was actually going through during her life’s many roller coasters. Cher worked with book writer Rick Elice to share the details and experiences of her amazing story and has been closely involved with the show’s development.

Is Cher starring in the show?

No. The role of Cher is portrayed by three different actresses, each representing different eras of her life. But word on the street is that they channel her spirit directly in nightly séances.

There will be sequins, right?

Um, yes. So, so many sequins.